Here's an excerpt from a great article, and he explains it a lot better than I do:

Comedy is underrated. It's arguably the most difficult genre to pull off, but when a comedy works, the talent and effort that went into it is not readily apparent on the screen. Consistently, comedies are passed over by the Academy Awards and other award shows; it's easier to give Oscars to powerful dramatic films and actors who make dramatic performances. But comedy is very difficult: it requires not only inspiration and talent but precision and balance as well. The slightest variation in the delivery of a line can mean the difference between funny and not funny. The placement of the camera, lighting, editing: these and all other technical areas of filmmaking can successfully support a gag or undermine it completely.


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A lot of the comments here show in general the misunderstanding the public has of comedic acting, as EVERY real actor knows that acting in a drama is MUCH EASIER than acting in a comedy, most people can be adept at playing dramatic scenes, but only very very few people have the comedic timing and the talent to make people laugh, and it's not something that anybody can just learn easily (just watch any amateur comedy routine anywhere, and you'll see a million amateurs). And how is this obvious? There are very few successful comedians, Angelina Jolie and Brad Pitt can cry on camera and gather those emotions, but do they have the chops to make people laugh in a comedic role and do they have the right cadence and nuance and timing to act in a comedy? Well, the answer is a resounding hell no, look at that movie they did together, it was a huge flop, and for good reason.

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Generally, in the US, actors (whether comedic or otherwise) are selected for looks. British actors tend to be selected for acting ability.

>When /The Mask/ came out, I said that Jim Carrey should have gotten an Oscar for best actor. Whoever won Best Actor that year, I guarantee there were many other actors who could have done similar performances.

Tom Hanks got it for Forest Gump. Both The Mask and Forest Gump could not have happened without CGI/special effects. In one, the fx were meant to be visible, in the other, invisible.


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If, as seems the case, comedians are worse actors and worse looking, the assumption that comedic and dramatic roles get the same resources must be false.

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This is a wonderful post. I'd say #2 and #1 are enough. Best actor is awarded on combination of looks and skills, not just skill (plus it's biased for some kind of films like live drama, as opposed to comedy and animation). And drama gets more resources than comedy, so they get better combinations of looks&skills than comedy.

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When /The Mask/ came out, I said that Jim Carrey should have gotten an Oscar for best actor. Whoever won Best Actor that year, I guarantee there were many other actors who could have done similar performances. No one else could have done what Jim Carrey did in that movie. The fact that my proposal seemed ridiculous to everyone showed the level of bias against comedians in acting.

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Perhaps laughing at someone creates a psychological response of lack of respect. For example, if the cool kid falls down and gets hurt no one laughs at him, if the nerd does, everybody laughs. So perhaps the people who give awards are reluctant to signal respect for low status others(people who get laughed at).

I have heard that laughing with someone else (laughing at their intended cues) is a submission symbol though. We could test this theory by rating people's acting judgment for comedians who do self-mocking comedy and those who tell jokes about other people or do observational humor. So a Rodney Dangerfield type should receive lower reviews than a Dane Cook/Jerry Seinfeld.

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Dramatic actors and comedians typically travel very different career paths. Male comedians, especially, usually start as stand-ups. (Comedic film actresses are more likely to be funny actors, not stand-ups.)

Successful stand-ups don't need a great range. If they hit on a particular style or attitude or look that connects with audiences then they just hit that note over and over.

Some comedians, like Jerry Seinfeld, are just horrible actors. Seinfeld can do clever witty sarcasm and clever mock outrage, and that's about it ... but that was enough to make a spectacular career.

Actors, on the other hand, go to drama schools, are in school plays from young ages, and generally practice putting on a lot of different personas and emotional extremes.


I'll also defend Adam Sandler here. I find him very funny (and a decade long string of $100 million+ hits means he's the most consistently bankable comedian). Happy Gilmore was hilarious. Sandler does impotent rage extremely well.

Sandler also is one of the few comedians who can pull off romantic leads because he is so likable (40 First Dates, Wedding Singer). Most can't. Robin Williams can do serious drama, but not be a romantic lead. Chris Rock, like Seinfeld, is funny but can't act. Rock can do funny and angry, but that's about it.

So, to answer the original question. Dramatic actors are better actors. By the time they hit it big in their 20s or 30s they have spent decades honing their craft and trying on a range of roles.

But when comedians become famous it's more often after years of stand-up where they focus intensely on a certain bit of schtick that resonates with audiences. Night after night doing variations on the same bit. Then they become famous and try to take acting lessons to become real actors ... for many it's like trying to learn a foreign language as an adult ... it's possible, but much harder.

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Couples things - Specifying that we're talking US *film* actors /awards.

Generally, the two categories you're naming are -"in the biz"- broken in to leads and 'character actors' - these being the comedic actors you mention. Character actors in films (supporting roles generally) are often stronger than the leads. Leads do indeed get cast with a higher consideration for their looks (& how they match with the other lead, if there is one - height, appearance, etc), as well as the fact that the lead is, broadly speaking, who the audience project themselves onto/relate to - a less distinct slate to do this on may help that.

It's worth noting that Comedy is, by its nature, subversive -- humor is surprise, the subverting of expectations. I think this would also account for a certain discounting of its 'top-tier' (award winning) significance - Dramas may fit more nicely with society's general concepts of story and character.

Agree as well with the comments that ""SERIOUS"" things show "We take ourselves seriously, 'cause thats how you know something's important." Any field/group of course wants to continue to propagate themselves - considering this, unsurprising that the film industry wants to continue to assert its importance in society.

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Leslie Nielson should have won an Oscar for The Naked Gun.

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Let me try and make a case for 3 or rather that we may not have information to decide if it is 1,2 or 3.Consider the scenario where looks are positively correlated with acting ability. This would mean that statistically comedic actors would be both worse looking than dramatic actors and also have worse acting abilities. In this case, the best of comedic actors may not be be as good actor as a reasonably fine dramatic actor who is good looking. My argument rests on the assumption that good looks and acting abilities are not independent attributes, perhaps there is evidence to suggest that they actually are?

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Surely being funny isn't a function of acting ability, it is a separate variable. The relative rarity of this variable versus good looks also means the pool of good comedic actors is actually much smaller than the pool for good dramatic actors. Ergo, the best actors probably do win the awards!?

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I'll join the chorus of 3's. In addition to reverse causality problems that are mentioned above, imagine that someone made a list of all the acting skills sufficient for great comedy, and all the skills sufficient for great drama. I would guess we would have some overlap, and importantly some skills unique to each list. There are some important acting skills like "timing" and "improvisation" that are necessary for comedy but less so for serious roles. For serious roles, skills such as "believability" and "range" are more important, for instance.

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Yes, there is a trade-off between looks and acting ability, simply because they're not the same. But why say that drama favoring looks leads to comedy favoring acting, rather than causality running the other way?

The thread of looks from the beginning of the post seems to have been dropped and not show up in the question. Here's an answer that incorporates it: perhaps acting awards are simply beauty contests, ignoring acting quality.

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#3 seems right to me. Directors are free to choose less attractive actors for comedic roles, but they are limited in their choices to those who are generally funny. Being funny doesn't seem to equate to better acting ability, so I wouldn't expect to see better actors than average in comedic roles.

And given halo effects, attractive actors, comedy or drama, probably lead to audiences perceiving better acting ability, and better productions in general.

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I'd agree with most other commenters: 1 and 3 are definitely true. It's not even a given that the award goes to the best role, which I'd argue is usually as big a factor as the individual filling the role.

You have other propositions I'd question, such as "now on average comedic roles tend to be filled with less attractive actors," and I don't agree with the general assumption that dramatic and comedic actors are interchangeable (though many great actors can do both, it's not a given, especially lower in the ranks).

I'd agree with the point I think you're making, though, that comedic roles tend to be overlooked in award nominations. I think this is less about facial attractiveness than about a general feeling that "serious" and "important" are equivalent. Check out the list of Best Picture nominees (http://en.wikipedia.org/wik..., for instance) and count how many are comedies.

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